What A Real Man Looks Like.

What is a real man? What does he look like? What does he do? And where, where the HELL, can you find one?

A real man will be willing to part with money for your time. A real man dates. He knows your time is not free, and he's willing to reasonably spend to take you out to lunch and talk to you, even after you've been doing it for awhile and are sleeping together. A real man knows picking up the tab doesn't stop after your panties drop.

A real man is cognizant of the fact that you're a woman. He knows that there are some things that may be needed from him because of this fact, and will pick you up from in front of the club at the end of the night so you don't have to fight off the sharks or find your way home drunk, even if he wasn't out with you and your girls. A real man will offer you his arm, even when you CAN walk in a straight line by the cops.

A real man always asks to see you. He knows that you have a life, and friends, and a job, and plans that don't necessarily involve him, and so, he never takes the fact that he can see you, or you, for granted. He calls ahead to secure time and plans with you, and is equally comfortable letting you come up with plans as he is making them himself. A real man understands the give-and-take effect of work and play, and time.

A real man knows when to use words to solve a problem, and when to get physical in a confrontation. He knows the different between force, and being forced. A real man is a protector. A real man knows the extent of his own strength.

A real man never shows up empty-handed, even if he appears with nothing in his hands. If he has nothing to give physically, he's 100% invested in being there mentally and emotionally. One man might bring you dinner while another brings jewels while another brings you stimulating news, but all real men will bring something to the table.

A real man has plans and ambitions. He may be living in the penthouse suite with millions in the bank, or he may still be living in his momma's basement, but regardless, he's actively planning and doing things with his life. He's not content with what he is and what he can offer-- he wants to be better and have more to offer. He is constantly on the grind, and is not satisfied with status quo or the bare minimum of effort. He puts in time and pays meticulous attention to detail. He thinks things through and goes by-the-book. He can relax when it's time, but even when he's chilling, he has a constant desire to better himself. A real man is a dedicated hard worker.

A real man is an attentive lover. He knows all women aren't the same, and what worked for the last doesn't necessarily float the boat for you. He's open to trying new things and is comfortable talking about sex openly and frankly. He knows being safe and proactive is smart, and he practices what he preaches. He gives, and yet can still take. He can be dominant when you need to be manhandled, and yet submissive when you want control. He takes the time to learn your body, and what you like and need. He stops when you say "stop," waits when you say "wait," and knows that when you ask for a massage and wink what you REALLY mean. A real man makes you feel comfortable enough to lower your inhibitions and gives you what you really want.

A real man is kind to animals, children, your friends, and his family. He respects women, loves his mother, and always has a kind word or smile for people. While your friend who says "like" every third word may drive him crazy, he'll talk to her for a few minutes when he bumps into her. Though he's allergic, he'll still pet your cat.

A real man is not afraid of commitment or relationships. He knows that one woman is enough for him, if she's the right woman, and knows that even if she's not perfect, he doesn't need to look anywhere else to find what she lacks. A real man doesn't play, because he knows emotions aren't something meant to be a toy.

A real man takes care of himself. He values his health, and is aware of it. While he may not necessarily go to the gym every day, he knows that exercise is valuable, and is no stranger to it. A real man takes pride in his appearance, and has style, whatever that may be. He knows what he looks good in, and he knows how to keep himself looking good in it. His diet is smart, not juvenile. He has a healthy relationship with food, drinking, and drugs. A real man can cook for himself, in a pinch.

A real man isn't ashamed. He's proud to have you at his side. He introduces you to others, and doesn't think twice about bringing you into public with him. (A real lady is someone who a real man wants to bring into public and be seen with, by the way.) He'll kiss you in public, in front of his friends, in front of your family, in front of the world. A real man is not afraid to say what your relationship is, and is as eloquent in expressing it as he is articulate about his feelings and expressing his intentions for you.

A real man opens doors for you, both physically as well as metaphorically. He always remembers the little things to the best of his ability. A real man says "please," and "thank you," and is courteous to the wait staff and tips well. A real man can say "I'm sorry" with sincerity and admit when he's been wrong. He'll call your mother "ma'am," or "Mrs. ______" and your father "sir" or "Mr. _____" until told otherwise. A real many carries the heaviest boxes and kills spiders, or lets them loose again back outside. A real man will protect you and stick up for you, always, even when he's not happy with you at the moment. A real man knows a woman's worth. He will pick you up for your date, and see you safely home. A real man knows his worth. A real man will understand if you tell him you can't see him anymore. A real man will fight for you if he loves you.

A real man doesn't have to be dressed in a three-piece suit. A man in a suit can be an ass, while the homeboy in the do-rag and chain could be the real thing. A real man doesn't need to drive a flashy car to assert himself; he does it instead by the way he fills the space he stands in. A real man doesn't need to be made of money-- if he can't take you on a date, but takes you on a walk around the neighborhood instead, his listens intently and actively to what you talk about. A real man doesn't need to be making a set salary, as long as he's making all the ends meet, and he's in control. A real man has no set age-- he could be 65, or he could be 18. A real man is made, not born. A real man does not have to be perfect, but he does have to be trying. A real man is not a physical manifestation-- he's an attitude, and a way of living.

And every woman needs a real man in her life.

XOXO

Wild Horses

I've been listening to lots of The Rolling Stones lately; why, I don't know. I guess it was just their time to cycle back into my current playlist. Anyhow, last night after spending about 45 minutes listening to "Wild Horses" over and over again on repeat, it struck me-- undeniably a romantic and heartfelt ballad, and a proclamation of devotion, who was it written for, and what happened to them?

Fast-forward through a bit of research done today, when I could actually think straight enough to formulate a plan of internet trawling attack, and here are some answers: "Wild Horses" was written for the album "Sticky Fingers," which was released in 1971. During this time period, and, we'll assume, the period in which Jagger, Richards, and the band were writing songs for the album from 1966 to 1970, Jagger was in a tumultuous relationship with Marianne Faithfull, who was shrugging the merits of her last name by dallying with Jagger while married to John Dunbar. Nonetheless, she took her son and left her husband to live with Jagger, and the two became nearly permanent fixtures in the hip "Swinging London" scene. Drug use, misuse, overuse, social drama, personal drama, and relationship drama ensued. ("You Can't Always Get What You Want" has also been attributed as being influenced by her, if that's of any sway to your thinking on this matter.) For awhile, Faithfull was his muse, the significant woman in his life, his greatest pride at times, and in others, as when she fell into a drug-induced coma, his biggest mistake. At the end of 4 years, Jagger and Faithfull finally called it quits. Jagger's stated that "Wild Horses" was written while their relationship was "pretty much done," but in the tone and the lyrics, you can still hear the sound of a man who really loved her, even if it was "done."

Jerry Hall, one of Jagger's most well-known ex-wives, has always held that "Wild Horses" is her favorite Stones song, even if it was written about and for another woman.

So, that much time, that much emotion, that much love and devotion, and a song, and it still ended?

We're not exactly living in the time of fairy tales, children. The first time I heard "Wild Horses" was in the movie "Fear" in which a mid-Marky-Mark Wahlberg and a baby Reese Witherspoon play star-crossed lovers...with a murderous twist. In that movie, psychosis was apparently enough to break that devotion. All it leads me to wonder is, where does the love go? After 4 years, lots of living and a life together, when it ends, what really ends? The living arrangements? Seeing them every day? Sharing the coke? But do the emotions themselves end, or is there some part of Jagger that's still the man singing "You know I can't let you slide from my hands/ ...No sweeping exits or off-stage lines/ Could make me feel bitter or treat you unkind,/ Wild horses couldn't drag me away" for Faithfull? After all, you can take away the actions, but they will never lose their meaning.

XOXO

Snapshots.

The User and the Used

"I’m glassy-eyed in the mirror; that same vacant, pretty, coping stare Legs used to have.

My mind stutters on these thoughts, catching rays of sunlight and dust particles glinting in the air. My fingers cramp and release, heavy like my eyelids as I type on the black and white, trying to get the words down, depressing ‘backspace’ more and more as I realize letters are missing…
Overhead, planes fly people to their heart’s location.

My heart thumps heavily in the cage of my chest, bone and skin. The air is thick and smells like funk. I puff, puff, drag, feet resting on my windowsill, blowing the smoke out the window with the aid of a fan. My lighter sparks and catches, sparks and catches, and I wonder if this was how Legs did it, if that’s how he found his escape, like I am doing now. I buy, and de-seed and stem, and pack, and roll, and light, and inhale, and let the smoke trickle from my open lips like smoke monsters in the dark air, and I miss him, terribly, heart-wrenchingly, despondently, all at once.

It’s late, and I know I should put the laptop down, stop allowing myself free access into the confused sore that is my heart and laying it, splat, across the page, but it’s a masochistic exercise in life-lessons: you fall in love and let that person walk out of your life, and this is what happens. So you cry about it. You rationalize it. You get angry about it. You work at it. You smoke to avoid it at first, and then you smoke to embrace it. You mold it into something you can work with. You apply it. You find something that you can live with. You get happy about this, at least, and then you smoke more to continue. It’s a circle of use, misuse, and being used.

...The words tumble from fingertips that are dry and unfeeling on the keyboard, and I don’t even try to stop them. I can’t even stop my mind. Blink, there’s another memory I haven’t remembered since it happened. Flash, and I’m sweaty and I have a dry mouth and can feel everything around me in minute detail. Click, and I’m all the way gone on the sweet side effects of a love that doesn’t know better and a habit that shouldn’t have been allowed to grow. Snap, I’m back to square one."

(In)Pulse
Roused from my sleep,
I clutch pen
& grit teeth.
I cannot help when the words come
Anymore than you can help your addictions,
Already deep-seeded,
Or the singer can control her song
Or the bird his flight.
It is an impulse,
My scratch of pen on paper,
The snort of powder up your nose,
Much
Harsher
&
Methodical
As you cut lines,


Prepare your straw, ---Close one nostril, ---And make that
---------strange ---------snuffling ---------noise


That makes me cringe,
Though my back is turned to you,
Like it always is when I see you start your ritual.
The rise and fall of notes, much sweeter than this candy.
The feeling of air under a bird’s wing, much more free.
You are not sweet,
& you are not free.
But neither am I, chasing this trail of papers,
Always hoping the next one will be better.
You and I,
We aren’t so much un-alike,
Both of us with our willingness to fall prey,
To the things that gnaw on the insides of us.
It is to say,
“Because I can,”
& to do so.
It is to say,
“Who I am,”
& not resist it.

I tell you to stop using.
You tell me to shut the light off,
& go to bed.

Cold

"I’m warmest in sunlight. Not at night when you’re lying next to me, radiating body heat and safety and comfort, but when I’m walking in the cold air and the sunlight touches my face with rays gentler than your gentlest brush of fingertips. I think I have a gold-and-cream complexion (my nice way of saying what some call “pale” in tones reminiscent of disease and social awkwardness,) because I’m a sun-baby—my hair reflects it and my skin soaks it in, becoming almost luminescent. (Again with the “pale.”) I was born in June for a reason.

Your heat doesn’t stay long, just like your body—come the next morning, we part to go our separate ways and I’m cold until the next time you nuzzle your body beside mine, nook into nook, limb over limb, some strange sort of human pick-up-stick pile of us. The sun only leaves me at night, leaving me in your care, your heat, your warmth, knowing that you can never really replace it, even though you will try, and you will like to think that you’re the true center of my personal universe. But I say everything still revolves around one sun, and you, with your thin wrists and your love for sarcasm, are far too human. You are human, and you are cold.

Winter wind still blows even though the sun is in full shine mode. I tilt my face up at it through the smudged windows of the bus and close my eyes, seeing a disco ball pattern on the insides of my eyelids that dance like the free-love generation did on LSD. I’ve forgotten my coat at home, lulled by the sunshine into thinking that it’s warmer than it actually is, and you offer me yours.

The ancient Greeks’ sun-god was named Helios. The Romans called him Apollo. I call him warmth-bringer, light-maker, shadow-chaser. You call me sun-worshipper, heat-seeker, desert-baby. I call you mine, but I lie through my teeth when I say it. You are not mine, and I am not yours, not any more than I can claim to own the sun.

In the age of solar panels, people harness sunlight and bend it to suit their needs—heat, energy, power. I am just as much to blame, yoking you to my proverbial harness to suit my basic needs—companionship, entertainment, and because it’s convenient. You, I suspect, have done the same to me. We do it because it’s easy; because it’s what people expect of us. When you need, you need. It’s human to need, too human, and I have never been good at denying myself, the byproduct of a spoiled childhood. Although I have a hard time telling people out-loud what it is we’re playing at, I find it equally hard to be utterly blasé about it and say, “I keep him around for the sex.” What I don’t have a hard time telling them is what it isn’t. It isn’t forever. It isn’t immortal. It isn’t stationary, or reliable, or even planned. Just like the sun rises from the East every morning, it is predictable and we take it for granted. Once, you called me a frigid bitch. I didn’t deny it. I, just like you, am cold. That’s why I believe more in sunlight than I do in love."

Christmas, Tough-Love Style

"What do you think? Does it look good?"

"It could do without some of the more tacky ones."

"Like which?"

"Like that one, to the left of the middle. The lumpy red and green one that looks like a wreath."

"That is a wreath. I made it for you in Advent Workshop years ago."

"Oh. What about that white Styrofoam one?"

"That one, too. It's supposed to be a snowflake."

"The clothespin reindeer."

"Basically, anything you consider tacky, I made for you and Mom as a child."

Wounding people is so easy, we stride right on afterwards without even a second thought. We all do it.

There will always be that awkward tension between parent and child in the constant search for parental approval. Tides change-- though I will never feel quite up-to-snuff for my father, my mother now looks to me for my approval. I am off-guard and awkward, and don't know when and how to give it. This softens the dynamic of my father a bit, however.

But, then again, who am I to judge?

Choosing Sides

"Wall or nightstand side?" he always asks, even though the answer always remains the same. It's just the kind of guy he is.

He's already tucked in next to the nightstand. Half of me wonders what would happen if I asked for that side. Half of me chastises the other half for trying to make trouble when everything is exactly how I want it to be in the first place. Half of me sighs. All of me crawls up the bed instead.

"Wall," I answer. "Of course. That's where I always end up, anyway." Always between cool wall and warm body. I modulate temperature like a flesh thermostat. Always on his right-hand side. Just like how he always pushes me back down in his sleep to his arm and shoulder in the place of a pillow.

Whoever needed cotton and filling when you have a hot-blooded male, anyway?

After the third night, I wised up. If Manhammoud won't let you go to the pillow-mountain, you bring the pillow to you.

Drip-Drop

Part One:

Writers: Black depressions, over-active imaginations, mental illnesses, and substance abuse. We are an under-whelmingly cheery lot.

Bathtub and beer. Bathtub and half-bottle of wine. Bathtub and a vodka concoction. It's all the same to me.

I think writers have an affinity for bathtubs because there's always the possibility of drowning oneself if the mood so strikes you. I'm sure some author must have tried holding their breath a minute too long after an unfavorable review. (Note to Self: Research this.)

I lounge in the convex shallows of the tub, one knee propped up under the facet, regulating water temperature by feel, my right kneecap bright red because I like it scalding hot. (Might as well live if you're going to be alive.) I'm reading Abbey's "The Fool's Progress" and feeling quite foolish myself, feeding this writer's malaise of mine so indulgently. Later, I will try sticking my toes in the jets, reverse whack-a-mole.

Part Two:

I turn the radio on, but leave the lights off. The moment I step into the shower and close the door behind me, my hair instantly and decidedly curls up in the trapped humidity. (Fact: I have naturally wavy hair. You will probably never see it.) The Presidents of the United States of America remind me in "Peaches" (Fact: Meant to give that CD back...) that the acoustics of the shower are the best I've ever found for singing (Fact,) but these glass walls won't hear my voice today. Soap in silence. Shampoo in solitude. Condition in consternation. (Fact: Alliteration is one of my many writer's vices. Along with verbosity and cliches.)

"Must stop playing hermit," I tell myself. "That's a direct order. Cheer the fuck up."

Circa Bankruptcy

Christmas night. The dog is napping in the backseat, taking up the entire bench, and it's nearly midnight; not Christmas any more. I'm driving and smoking at the same time, because that's one of the things I do know how to do in full multi-tasking glory. I've got the windows cracked because, silly to admit, I am scared of harming an innocent animal's lungs. Mine are already damned. So my nose is cold so his lungs can remain free from any more second-hand smoke. Silly. But the windows are still down.

It's nearly dead downtown. I'm tempted to make a silent joke about the graveyard shift, but it would be almost too easy. I don't know what called me here, but I needed to fill my eyes with it. The sight of a sheriff's cruiser lingering at a red light reminds me I still haven't replaced a front headlight that's out. I skulk past and hope Christmas spirit is enough to get me out of a ticket. I don't have the time, money, or desire to pay for either a new bulb or a ticket. I'd rather just take Plan A and flee the country. Har har.

The streetlights that rise up around me are festooned in white Christmas lights that wind around them and wreaths. The old, retro buildings, once freshly painted and proud, slouch into their foundations. Half of the storefronts are empty; "For Sale" and "For Rent" signs are the only things that occupy windows. The city of my childhood is gone. Instead, hardscrabble has taken hold.

At seven, I used to walk the four blocks down the hill from the public library to my dad's shop. At twenty, I lock my car doors as I come to a stop outside the building that used to be my father's. No lights. No gold glistening from overhead lighting in the display cases in the windows. Everything is quiet; not even the whisper of falling snow to make white-noise. I'm caught half-in and half-out of the past and the present, the crossroads of What Used To Be and The Cold, Hard Truth. Somewhere in the last twelve years, I missed this all changing. You come home, an almost-adult, and you suddenly see it all. It's alarming. It makes you wonder where it went wrong; if there was something you could do; what signs you missed and how. And if a city can change like this, unnoticed until it's over, what else can?

The dog lets out a snore. Suddenly tired, I take a last long draw and then stub my cigarette out on my side-view mirror, the plastic burned and crusted from doing it so many times in the same place before. I pull a U-ey and head for home as the clock ticks in a new day.

"And miles to go, before I sleep, and miles to go, before I sleep," I remember as I roll up the windows and rub the feeling back into my nose.

Implosion

"I'm done with being looked through. When you look at me, it's almost enough to make me believe I could catch fire. Spontaneously combust in being someone."

---

Excuse me for just thrusting you into that, but one of my professors, a very wise man who is pretty much the reason I came to Champlain, once said that there is a time and a place for disclaimers, and in front of your writing is neither the time, nor the place. So I guessed I was wise to heed him-- his advice hasn't done me wrong yet.

The one good thing about being home and broke is that it's giving me lots of time to write. And write. And write some more. The above are some pieces of writing I've been busy resurrecting and breathing new life and words into for awhile (the first piece was an excerpt from a longer work from Creative Non-Fiction; (In)Pulse and Cold are both pieces I read recently at a gathering that went over well, and since people asked for copies, decided to put them here so I don't have to individually email. Laziness is a vice I posses.), as well as some short snippets that have come to me recently, as always, in the most awkward of places. (Mostly, the shower. In the shower, hands sudsy, not a pen or piece of dry paper in sight, is where I get all my best ideas. I have learned to play them on repeat like a broken cassette tape between my brain and my lips to remember them until I get out and run, dripping, for a flat surface and something to write with.) Muses be damned. They always come at the worst times.

XOXO

I'm Not A Poet, And Most Of The Time, I Know It.

We interrupt this previous prose programming to bring you some poetry, because due to the multiple readings I've been attending for classes and other events, that's what's been coming out of me lately. It only happens about three times a year, and only for a few days, like the guest appearance of a cosmic spirit, so I'm beseeching you to indulge me, briefly, for these are only brief snippets of full, raging, triumphant, un-humble, unfinished works. Ellipses mark where content is missing, for one reason, or the other. Or none. The first two are part of set poems. For all purposes, what I consider "done." The third is a complete and utter mish-mash of sayings and thoughts and advice and songs and lots and lots and lots of random things. It has something for everyone-- childhood memories, sage wisdom, simile and metaphor, decorating advice. It is my Chaos at the moment. Everyone needs a little. I'm entering Finals Week of school. I have a lot.

"...Because night is when I get
--------Real soft,
And in the dark,
If you look at me
--------Real close
----------------Like you do
And don’t blink,
You can see the cosmos in my eyes when I’m talking to you,
Not just one or two
--------Tiny
----------------Insignificant
------------------------Guttering
--------------------------------Stars,
But the whole damn thing,
& I have no words for this feeling,
The death-knell of my trade,
But it’s like
--------Holding your palm
----------------Up to the flame of a lighter
------------------------On the coldest winter day
--------------------------------Right before you light that cigarette..."

"...I want to see when you close your eyes,
Because I know, sometimes it’s just
--------Too much
To look at,
All of it at once, spread out before your eyes,
Like a feast, and you
--------Just ate.
I want to see when your lips open,
And your tongue
--------Darts out,
To lick the same dry lips that you use,
Faithful sinner,
To worship.
I want to see you completely open in front of me,
--------A book to read,
----------------A story over skin,
------------------------A tale that won’t lie.
Give me your mind!
At these moments, when there is literally nothing between us,
But these un-naked thought-things,
These
--------Looks
----------------&
----------------Sounds
------------------------&
------------------------Feels.
I want a light, like a blinding ray of truth,
Because,
I want to see you, as you are,
Not, as you want to be,
With
--------Layers
----------------&
----------------Secrets
------------------------&
------------------------Questions.
I want to see you, in that moment when you give in,
To know what I have,
And what you are,
And what that
--------Makes me."

"...You’ve got to call me to you,
Because sometimes, like a cat, I won’t
--------Listen,

To the meaning behind the command,

Instead, focusing on tone and context,

And not really
--------Getting it.
But still, sweetie,
You’ve got to keep tryin’,
Because what’s worth it in this life,
--------It isn’t free,
And it sure as hell
--------Ain’t easy.
Because I,
I don’t play with the things I say,
--------Like some do.
Getting me to admit
--------Is like moving a mountain.
Are you strong enough for that?
Make me
--------Shock
----------------&
------------------------Awe
At your conviction.
Make me want to burst into song,
You have never heard
--------From this mouth.
So you know, I like to kiss to both sweet songs of
--------“Hello”
----------------&
------------------------“Goodbye.”

So you know, I like to stay up late, and sleep until sometime,
And I am always,
--------Always
Down for some lovin’.
So you know, your room,
--------Windows,
----------------Walls,
------------------------Door,
--------------------------------Desk,
----------------------------------------Bed,
Are in the same exact places mine are at home,
And it knocked me into silence,

Like coming home, only to find someone else living there.
So you know, I only ever ask to come over,
Every third time I want to,

Because there's this thing called

--------Space,

And there's a difference between "want" and "want,"

& I am always trying to find the fine line between the three.
But I will wake up early,
Just to be there and know it
Like I knew it when I was five,
And was the child
Who was never told that she wouldn’t find
--------What she was looking for.
Responsible people never learned how to fly.
I never learned
--------How to jump.
But here I am,
Toeing the edge of this cliff,
--------Anyway.
Hello, my name is Mediocre,
And I am striving for
--------Majestic
For you."

That's more or less it for now. I'm pretty much straight bleeding poetry at the moment like a love-junkie suicidal poet, so I'm skipping class in the morning to stay home and write. Because it's the writerly thing to do, and I really have no choice. Sometimes, when these things are outside of your hands, it's the most beautiful thing in the world. Scary, yet gorgeous.

You writers out there. Agree? What gets it flowing for you? Is it the first snowfall of the year? Fear? Love? Loathing? Inspiration from others? Sheer need and necessity? I'm curious. As always.

XOXO